Greyline Metropolis 2024

GREYLINE by Renae Shadler

DATO: 22, 23, 24., 25 August at 2.00 PM
STED:
22 & 23 August: Outside Statens Museum for Kunst: MAP
24 & 25 August: Nørrebroparken near Stefansgade:  MAP
WHAT: Dance
FREE

 

A dance with the elements

Two gigantic, black sculptures fly away. 400 m3 balloons filled with air, carried by the wind and lifted by the sun. Like two living bodies, they breathe. Literally. Greyline is the dance of the elements. The enormous natural forces that constantly affect us and the planet become visible as they give the sculptures life and movement.

If there is no sun or wind, the sculptures lie lifeless. If the wind is strong, they are unruly and wild – like two fleeting works of art that want to fly free. Like two clenched, black fists signaling the need for climate action.

The wind controls the direction. As an audience, we have to follow along. The sculptures are tied to five dancers on the ground. They too must follow the weather. If the wind is strong, the dancers must be quick and let themselves be pulled along. If the wind is calm, the bodies are gentle and still. Just as the balloons, the dancers’ bodies seek out the sun. Stretching and twisting like most living beings to catch the life-giving rays.

Duration: 1,5 hours (Note: You can come, go, and follow the performance as long as you wish.)

Greyline Metropolis 2024

The title Greyline is a metaphor for an unclear boundary and at the same time the name of the narrow band that separates regions in daylight from those in darkness around the world. A border that is constantly shifting.The performance asks how we can dissolve the boundary that we perceive between the human and the non-human? Between the visible and the invisible? And it asks how we can challenge geopolitical borders in a time of climate inequality? The wind and sun have no borders. Why do we?


Interview with Renae Shadler in Copenhagen: 

ABOUT THE ARTIST AND THE AEROCENE MOVEMENT

Greyline is the second part of a trilogy where Renae Shadler works with Aerocene sculptures.

Part 1, Under my Gaze, premiered in 2022, while part 2, Greyline, has a premiere in the summer of 2024 and will then come directly to Copenhagen. Aerocene is an eco-critical movement created by one of the most prominent artists of our time, Tomás Saraceno, who develops and tests solar-powered sculptures that symbolize the need for a new alliance with the earth.

Choreographer, performer, and researcher Renae Shadler (born in Australia and based in Berlin) has been part of the Aerocene community since 2018. As a choreographer, she explores how we both shape and are shaped by our surroundings, and how to create relationships with the more-than-human through art. For her, it’s about “creating with” instead of “borrowing from” or “influencing” the atmosphere.

She creates works for both stages, festivals, museums, and public spaces and has won several awards for her performances. Additionally, she is strongly engaged in research in the field that combines body, dance, and environment, and she writes and makes podcasts to share her experiences through other channels beyond art.

www.renaeshadler.com

CREDITS

Concept, Choreography, Performance: Renae Shadler
Co-creation, Performance: Katrina Bastian, Luan de Lima, Dorota Michalak, Niels Weijer
Initial cast: Jan Lorys
Dramaturgy: Maikon K
Voice Dramaturg, Voice Coach: Joris Camelin
Costume design: Camille Lacadee
Production, distribution: Dörte Wolter
Production assistant: Therese Bendjus
Photos: Piotr Pietrus
Video: Camille Lacadee

Inspired by Susurrus Group, 2017-2020: Samuel Hertz, Maria Nurmela, Kalle Ropponen, Renae Shadler

 

Greyline Metropolis 2024Photo: Piotr Pietrus